Studio Bright Transforms a Historic Melbourne Property into a Cozy Family Home

It can be challenging to make a true family home in an urban environment. That was the brief for Studio Bright, which created a refuge for a couple with two young girls in a dense and gritty part of Melbourne. The clients had acquired a small Victorian terrace house that a previous resident, architect Mick Jörgensen, had modified in the 1980s by adding an extension; as a result, the interior detailing, from ornate cornices to modernist wood beams, spanned the centuries. Led by director Melissa Bright, the studio transformed the structure by adding two new wings—one with a roof deck—that better support the homeowners’ lifestyle.

Outdated service buildings on the site, including a shed and a garage, were removed to make way for the additions and an interstitial courtyard. The larger of the two extensions is a wedge-shape two-story volume of painted brickwork, its upper level wrapped in brown-painted metal mesh; accessible through a new entrance, the wing’s ground floor houses the kitchen and dining area and the primary living area/lounge. One flight up is the primary suite with a roof deck that boasts views of a tall elm. The second new volume, on the opposite side of the main courtyard, contains a home office and a bike room.

The original Victorian building became a family zone—complete with bedrooms for the girls and their own hangout space—that can be closed off via large sliding doors. “The configuration makes for connected family living but supports separation,” Bright explains.

The architect made careful decisions in how she joined the Victorian, the previous addition, and the new spaces. This feat was done with a steady hand that made sweeping structural changes to the layout in the existing portion. For example, the circulation route in the original building was moved from the south side to the north in order to give the girls’ bedrooms sunlight and views of the courtyard. The Jörgensen beams were removed but only partially, allowing for higher ceilings while also nodding to the home’s history. “We thought it was nicer to let all of these layers come through,” Bright explains. “Three eras sit together as a cohesive whole.” In this way, memory of the home’s past becomes a part of its present day.

grazia and co.: custom swivel chairs, custom daybed, custom coffee table (lounge)

instyle: leather upholstery

warwick: daybed fabric

l a a l: wall lights

truss forte: steel mesh (exterior)

dulux: steel mesh paint

nood co.: sink (kids’ bathroom)

cabinet smith: custom cabinetry

academy tiles: tiles

zuster furniture: sideboard (kids’ living space)

snelling studio: table, stools

jardan: sofa

muuto through living edge: chairs (kitchen)

inax through artedomus: tiles (primary bathroom)

lindsey wherrett ceramics: custom ceramic basin

duralloy: custom shower screen powder coating

australian sustainable hardwoods: wall panels, joinery

artefact industries: ceiling lights

brodware through e&s: sink fittings

artemide through stylecraft: wall lights (bathrooms)

eckersley garden architecture: landscape architect

meyer consulting: structural engineer

provanbuilt: builder

Architect Stephen Conte Creates a Statement-Making Brooklyn Duplex

With a client wish to “stand out without standing out,” architect Stephen Conte didn’t flinch. Rather, the Pratt Institute alumnus and StudiosC founder welcomed the challenge of the koanlike request—the request coming from a couple for their Brooklyn duplex. Further, the clients were looking to avoid a generic space highlighted by a few paintings, photographs, and colorful objets. Their desire was that the home itself, as well as its furniture and lighting, be an artistic statement.

Expecting their first child during the process, they had purchased two stacked units in a condominium building in Greenpoint, where Conte’s studio is located, to be combined into a single 2,100-square-foot residence. The ensuing gut renovation involved reimagining the kitchen and smoothing out myriad bumps and soffits in the walls and ceilings for a unified, clean appearance throughout. Even lighting access panels were made seamless, hidden within the plasterboard of the ceilings.

The serene and airy result demarcates between public and private life: Entry is through a small foyer gently illuminated by Michael Anastassiades pendant globes that opens into the kitchen, dining, and living area downstairs, while the family area—den/study, two bedrooms that share a bathroom, primary suite—is upstairs. A glass catwalk linking the rooms above overlooks the double-height space below. Sidestepping easy wow moments and obvious pops of color to create interest, Conte instead relied on subtlety, craftsmanship, and finishes. “People come in and, rather than be overwhelmed, they slowly begin to notice the details.”

Examples can be found in the kitchen, where Conte had the half-round handles and pulls made from the same solid white oak as the cabinetry, yielding a rhythmic expanse of matching horizontals and verticals. He then installed a steel plate under the island counter so its white marble top could cantilever out 2 feet. The original counter had big square legs that hampered seating options; the upgraded, floating surface not only allows for more stools, namely sculptural black ones by Castor Design, but is also more streamlined. “It created a really nice gesture there,” Conte notes. Shelving is also marble, up-lit by LED strips, creating another weightless, open moment. And the kitchen’s oak continues into the eating and living areas via an oval dining table and paneling behind the cream-colored sofa.

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Overall, the palette is calm. The slightly varying shades of wood in the flooring, millwork, and furnishings give warmth and texture yet remain cohesive. But there are minimal moments of intense color in the private zone, such as the den’s couch upholstered in a rich emerald and the tobacco leather of the primary suite’s bed. Coupled with the hues of the artworks nearby, however, these become another way of expressing equilibrium.

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flos: pendant globes (entry)

liebherr: custom refrigerator (kitchen)

lodes through lightology: ceiling fix­tures

through matter: stools

bertazzoni: cooktop

abc stone: marble

franke: sink

hansgrohe: sink fittings

gebrüder thonet vienna: chairs (dining area)

through the future perfect: chandelier, table (dining area), sofa, side table (living area), table, lamp (den)

through design within reach: table (living area), console (den)

cassina: sofa, side tables, chair (den), bed (bedroom)

kvadrat: rug (den)

bower studios: mirror (bedroom)

Add tag via side panel:

apparatus studio: pendant fixtures, sconces

jardan: side tables

janik furniture specialists: woodwork

jjs management: general contractor.