Kingston Lafferty Design Transforms a Historic Schoolhouse into a Chic Abode in Galway, Ireland

The first time Róisín Lafferty met the owners of a landmarked Georgian-style schoolhouse-turned-cool-house in coastal Galway, Ireland, they’d set out tea and fresh-baked treats in their cozy, little kitchen for the occasion. “There was a homey feel from the minute you stepped inside,” the Kingston Lafferty Design founder and creative director recalls. “They were a lovely, dynamic family of seven, quite young at heart and also a bit nostalgic.” The charming historic abode suited the residents’ personality, but it had issues, including outdated electrical wiring, no central air, and a single shower for all of them to share. A mishmash of rear-facing exten­sions and small service buildings that had been added over time also blocked garden views and the influx of natural light into the deep floor plate. “It felt very dark, and the configuration didn’t make great use of the space,” Lafferty says. “The clients loved the character of the house, but it just wasn’t working for them.”

A nearly five-year restoration, renovation, and redecoration effort ensued to expand the terrace house into a five-bedroom, four-bath residence. KLD collaborated with local firm Helena McElmeel Architects, which helped navigate the municipality’s strict conservation board and took the lead on structural work. The most forceful spatial modifications were made in the back of the property, where the updated kitchen now leads to a window-wrapped, skylight-capped modern addition housing an orangerie-style dining room (where a damp lean-to once stood) and a family lounge. An existing conservatory was also upgraded with new glazing to form a breakfast room, accessed via portals punched through the kitchen’s super-thick stone walls, their depths clad with green marble tile to annunciate the transition from old to new.

The Design Team Transforms Old into New, Spotlighting the Home’s Historic Details  

The décor follows a similar ethos of repurposing. A kitchen table was recycled, raised, and topped with a stone slab to form the cooking island, now illuminated by a cluster of pendant fixtures transplanted from corridors throughout the house. Antique cabinets left behind by a previous owner were carefully integrated into millwork, such as the main bathroom’s armoire, augmented by a marble countertop and antiqued brass legs to create a vanity. Mismatched Michael Thonet chairs handed down from various relatives were grouped around the custom dark-stained oak dining table, imparting a collected-over-time feel. Also repurposed: an original pass-through hatch between the kitchen and the moody reading room, now framed with bronze-tinted mirrored panels that lend the latter space a subtly ominous aura. (“That room is 100 percent inspired by The Handmaid’s Tale,” Lafferty acknowledges.) Not worth salvaging, alas, was a beautifully hued but far-too-frayed stair runner, but its palette lives on in the home’s prevailing tones of sky blue, burgundy, terra-cotta, and mustard.

KLD also layered in more current vintage pieces, such as the front lounge’s mid-century Sputnik chandelier and angular travertine cocktail tables. Lending oh-so-’70’s verve is the rear lounge’s conversation pit, recessed into the concrete floor to preserve sight lines to the garden. “The builder kept asking why we were putting a swimming pool in there!” Lafferty jokes. Further channeling that era is the room’s Mah Jong sofa, dressed in moss-green velvet. “I’d only ever seen the sofa in flashy patterned fabric, but looking at images from when the design first came out, in 1971, I realized it was usually upholstered in something plain, which I preferred,” Lafferty says.

The Home Restoration Offers a Family Room to Grow

Upstairs, the sleeping quarters intermix traditional and modern elements, spiked with a dose of whimsy. The hotel-like main suite, which overtakes most of the second story, encompasses a bedroom, a walk-in dressing room, and a bathroom complete with a fire­place, soaking tub, and glassed-in wet zone. Much effort went into making the large bed­room feel more intimate. “Before, it was just a lonely little bed in a very big room that swallowed up furniture,” Lafferty notes. Now, minimalist but period-appropriate paneling brings a sense of scale to the space, and artfully integrates a curvilinear velvet headboard and bedside sconces. The bathroom is not tech­nically part of the bedroom but instead opens off a landing one half-flight down, where it can be annexed for overflow from the neighboring powder room if needed during brush-teeth or bath time.

While the goal in the parents’ sanctum was to make a large space feel cozier, KLD’s ap­proach to the kids’ zone on floor three was the opposite: making smallish space live larger. The youngest of the three daughters, for instance, got the tiniest bedroom, so the hanging chair on the adjacent stair landing serves as her de facto lounge area. The two boys share a room, and there Lafferty took advantage of the high ceilings with peculiarly tall loft beds that offer plenty of floor space below for hangout and work areas. “The beds remind me of Lemony Snicket’s A Series of Unfortunate Events,” Lafferty says. “I like the creepiness of them!” Reference to narrative is, indeed, something of a through line for the entire project: “There’s a sense of emotion and atmosphere when you walk into the house; it just kind of washes over you,” she observes. “It feels like you’re part of a story.” One with a very happy ending.

helena mcelmeel architects: architect

o’gorman joinery: millwork

Roche Bobois: sofa (rear lounge)

davide groppi: pendant fixture

flos: wall light

baked earth: terra-cotta floor tile (dining room)

rocca stone: floor tile

knoll: sofa (front lounge)

through 1st dibs: cocktail tables

tile style: hearth tiles

soho home: rug (front lounge), side table (main bedroom)

martin & brockett: console (entry)

Gubi: chair (study)

square in circle: pendant fixture (study), sconces (bathroom)

HK Living: hanging chair (landing)

irugs: rug (main bedroom)

lizzo: curtain, headboard, pillow fabric

ray shannon upholstery: custom headboard, custom pillow fabrication

mix & match: custom curtain fabrication

socialite family: sconces

ZARA HOME: bench (main bedroom), beanbag (boys’ bedroom)

kutikai: dresser (boys’ bedroom)

finnish design shop: rug

through nest: pendant fixture

eicholtz: pendant fixture (bath­room)

mosaic assemblers: floor tile

versatile bathrooms: sinks

leinster stone: countertop

farrow & ball: paint

vintage hub: vintage vases, styling objects

Duet Gives an Old-School Sydney Residence a Youthful Update

As far as first projects go, this five-bedroom house set on a half-acre plot complete with pool and tennis court is an undoubtedly impressive one, both for its scale and for the design freedom extended to interior designers Shannon Shlom and Dominique Brammah. Collaborating for the first time as co-founders of the Sydney studio Duet, the pair worked symbiotically to transform the jaded Tudor-style dwelling in suburban Strathfield, Australia, into a fresh-faced home suited to modern living. The clients, George and Michleen, had purchased the sizeable two-story residence with the desire to create a family-friendly environment for their growing brood. George, a property developer and frequent traveler, also wanted the interior to reflect the luxury hotel aesthetic he appreciated on the road, and to leverage his company’s team of contractors and consultants. Other than that, he gave Duet carte blanche. “This was a true trust exercise where we had complete autonomy to run with our ideas based on the initial brief,” Shlom recalls.

Although the house, built in 1916, had been through a previous renovation and addition, “it was formulaic and lacked heart and soul,” Shlom explains. “The original spaces were bland while the more recently added contemporary spaces were a pastiche of confused styles.” The duo’s initial site visit and floor plan review sparked an idea they realized would improve the flow of foot traffic while also instating spatial logic: relocating the staircase from the entry hall to a more central spot closer to the layout’s actual midpoint. The new stair, a twisty spiral with Carrara marble treads, neatly divides the plan into two zones: a formal one comprising the living room, the guest powder room, and the study, and a more casual, free-flowing wing housing the family room, kitchen/dining area, butler’s pantry, and an additional half-bath. “Those adjustments honored the proportions of the original rooms while allowing for the creation of a generous, open, contemporary space,” Brammah notes. Further bridging old and new are architectural details including custom wall paneling, large-scale dentil molding, parquet de Versailles oak flooring, and vintage lighting—“elements that acknowledge the history of the house yet allowed for a new language that didn’t feel like a replication,” she continues. “It’s an approach that encapsulates the essence of the project: a deeply layered scheme that can continue to evolve with the family over its lifetime.”

Other major interventions to the property include a pergola with an outdoor kitchen and bath, a freestanding tennis/guest house courtside, a rear extension encompassing an enlarged showcase garage (home to George’s vintage car collection) and a game room in which the couple can host late-night card games without disrupting family life in the main house. Indeed, the entire property is both party minded yet practical, down to the kitchen.

“The family loves entertaining—but not the idea of guests getting elbow-deep in grease during cleanup after a long Sunday lunch,” Shlom says. So, Duet conceived a double kitchen: a showpiece cookery paired with a hardworking tucked-away butler’s pantry that houses a second set of appliances. The latter functions as the day-to-day meal-prep area, which freed Duet to push the design parameters of the public-facing side, oriented around a commandingly contemporary two-tone stone island that stands sculpture-like.

For furnishings, Shlom and Brammah sourced far and wide. “Lighting was an important part of bringing a worldly, well-traveled feel to the design, with many eras represented so as not to create a prescriptive style,” Shlom says. The showstopper Lindsey Adelman Drop pendant above the dining room table, in a patinated copper finish, “made our hearts sing,” Brammah says, pointing out how it elegantly twists and turns in the breeze when sliders to the adjacent outdoor living spaces are open. Duet also commissioned myriad custom pieces. In the primary bedroom, for instance, the headboard, bedside tables, pendants, checkerboard broadloom carpet, bed linens, and silk window treatments are all bespoke.

As for the young members of the household, who range from six months to 11 years old, their sanctums are at once age-appropriate yet designed with longevity in mind, featuring colors and finishes sure to stand the test of time. Take the playroom: The ground-floor space, formerly an uptight formal room, is now an ode to a big-top tent, treated to a vibrant mix of terracotta ceiling stripes and circular elements ranging from the sofa cushions to the area rug.

Equally playful, albeit in another vein entirely, is George’s study. Mirror-backed built-in shelving showcases his prized whiskey collection alongside vintage treasures. An added grace note, the designers specified Piero Fornasetti’s classic Teatro wallpaper, featuring an audience of theater-goers, “so George would always be in good company working late into the night,” Brammah says with a laugh. Who needs alone time?

Duet: Lead Consultants

AJH+: architecture

Studio Rewild: landscape consultant

Megan Morton: editorial styling

Sophia Kaplan: editorial florals

Globewest: coffee tables (family room, living room), table, chairs (kitchen), sofa, side table (cubby), bedside tables (guest bedroom, daughter’s bedroom)

Poltrona Frau through Cult Design: pouf (family room)

Pulpo through Domo: floor lamp

Cole & Sons through Iconradford Wallpaper: wallpaper (study)

Cassina through Cult Design: desk

Fourth Street Home: egg sculpture

Through Mercer & Lewis: amphora pots

joel escalona through adorno design: ceramic vase

through james said: vintage wall light (study), vintage chandelier (living room)

gubi through cult design: chair (study), lamp (playroom)

the visuals: plinth (stair), sculptures (stair, living room)

deemah stone: stone flooring (stair, foyer)

lighting collective: pendant light (playroom)

simple studio: window treatments

murobond: accent paint (playroom, guest bedroom)

house of orange: bench (playroom), console (living room), lamps (guest bedroom)

through smith street bazaar: vintage pendant light (living room)

through tigmi trading: lounge chair, footstool

jetmaster: fireplace

Lindsey adelman studio: pendant light (kitchen)

grazia & co.: stools

mcmullen & co.: vase

porter’s: cabinetry paint (kitchen, butler’s pantry)

granite & marble works: countertop marble (kitchen, daughter’s bathroom), backsplash (tennis house)

through 1st dibs: pendant (foyer)

liwans through nicholas & alistair: vintage console

zip water: specialty tap (butler’s pantry)

onsite supply & design: backsplash

WK: countertop stone

tim roodenrys: rug

&tradition through cult design: lamp (cubby)

the society inc.: wallpaper

ascraft: wallpaper (primary bedroom)

fibonacci stone through onsite supply and design: stone tile (tennis house)

honoré through tigmi trading: pendant light

thonet: stools

julie neill through montauk lighting co.: pendant light (guest bedroom)

s a s veer: artwork

the stitching project: bedcover

dulux: paint

we love parquet: flooring

perrin & rowe through english tapware company: sink fittings

Tappeti: custom rugs

heritage tile co.: terrazzo (kids’ baths)

surface gallery: wall tiles (kids’ baths)

snelling: wall lights (kids’ baths)